I wouldn't consider myself an especially devout David Lynch fan, but I love Twin Peaks rabidly and uncritically, and I watch the show in its entirety at least once every winter. Never when the weather's warm. My theory is this: something to do with frigidness, and the overarching quiet that comes along with a thick blanket of snow, demands a Lynchian blend of detached dreaminess and surreality. So maybe the recent snowstorms and having Laura Palmer on the brain is to blame for the way I feel about this track--it's otherworldly, it's vaguely sinister, and it's an utterly appropriate backdrop for the weather these days. Duo HTRK claim an affinity with Lynch's aesthetics; you can hear a kinship in the hypnotic chilliness of the melody, the scratched-out echoing synthesizers that ripple outwards as if a pebble's been dropped into the beat of the song. Church-organ reverberations in minor mode plod menacingly up and down in the periphery, like mystery men in black trench coats and low-brimmed hats. The repetitive, androgynous vocals add to the sense of uncanny that characterizes this track. HTRK stir some real polish into this mix, too--with glitzy production and a beat that suggests driving fast on open roads late at night, in a deserted city or through an empty stretch of highway. The sultry and foreign landscape that the song creates provides a space in which to detach from the outside world, whether in the dubious isolation of a dream space or nestled into the warmth and stillness inside a fast-moving car. The group's new LP, Psychic 9-5 Club, will be out in 2014 and promises an expansive and rich musical landscape. For now, listen to "Give It Up" below:

TRACK REVIEW"Give It Up"